![]() I can then fill in with pencil the two sounds for each registration, and over time I will also include what Style/Rhythm I've included in that registration. Myself, I've already made up a hand-drawn sheet (like a small spreadsheet, A1, A2, etc.) for all 28 registrations that fits neatly below the speakers. I've found over the years that getting the most out of any board takes a certain amount of learning, organization and optimization, and yet I hear otherwise extremely verbose folks talking very little about this.įor example, I really love having different sound setups at the ready, like octave piano, piano with split bass, etc etc., and given only 28 registration memories spread over banks A, B, C and D, what is your approach? I also hope that people share how they use the board. It can be very satisfying to put to words all the ways these boards work, or don't work, for you, like being able to tell a friend all about a subject very near and dear to you. Hopefully everyone will give a review at some point of what they think of the board, however short or long it may be. ![]() Just got my ES920 a few days ago and it's everything and more that I was hoping for- what a pleasure to play! I predict these 2 boards will be among Kawai's best selling, and a dedicated thread for us new owners is timely.
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